“WOLF BROTHER is the kind of story you dream of reading and all to rarely find.”

“I don't like using the word evil because it sounds as if that's all there is to be said about the person. I don't think Richard III is evil, I don't think it's helpful to say that...Iago he's not evil. Iago didn't get the job, he thinks his wife's been unfaithful to him, he doesn't like black people, he's extremely talented and very unfulfilled and he's a wonderful liar, and he's a mischeif maker and he does some dreadful, dreadful things. But that's already interesting, isn't it? Ooh, who is this guy? But if you just say "ah oh he's evil" how can you play that? I don't know how you play an evil person.”

“Wuthering Heights, however it may appear in retrospect,demands a reading of the utmost intensity, the feeling present in the writing seems to seek a matching response in the reading. If we turn from the story that Emily Brontë tells to the kind of story that Hardy tells, we find a markedly different kind of reader being called into being, a reader who is to be drawn not so much into an intensity of response, but rather into a continual oscillation betweenintensity of involvement and contemplative detachment”

“Read the story like you believe it, read with passion to your children. Encourage their imagination”

“But only in music, and only on rare occasions, does the curtain actually lift on this dream of community, and it's tantalisingly conjured, before fading away with the last notes.”

“She had lolled about for three years at Girton with the kind of books she could equally have read at home--Jane Austen, Dickens, Conrad, all in the library downstairs, in complete sets. How had that pursuit, reading the novels that others took as their leisure, let her think she was superior to anyone else?”

“In a story you only had to wish, you only had to write it down and you could have the world...It seemed so obvious now that it was too late: a story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it. Reading a sentence and understanding it were the same thing; as with the crooking of a finger, nothing lay between them. There was no gap during which the symbols were unraveled.”