“We look for pretty girls we can say bad things to. No one shows up.”

“We speak, and write, in one of the most diverse, gloriously ecumenical tongues on the planet. In English, there is a word or phrase for pretty much anything we want to say, and if there isn't, we make it up, and it is welcomed into the family. We can express ourselves as complexly or as simply as we like. We can be magniloquent didacts, or we can talk plain.”

“Life, he says, doesn’t have to be so bad all the time. We don’t have to be anxious about everything. We can just be. We can get up, anticipate that the day will probably have a few good moments and a few bad ones, and then just deal with it. Take it all in and deal as best we can.”

“Suppose we have only dreamed, or made up, all those things - trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one.”

“We can continue to say to our girls as they grow into women, 'Come up here and scrunch under this glass ceiling with me.' Or we can say to them, 'Let me break this ceiling so when you come up here with me, we can stand up straight under the open sky.”

“Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is...and force the viewer to see the pretty girl she used to be...and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart...no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them.”