“Author's PrayerIf I speak for the dead, I mustleave this animal of my body,I must write the same poem over and overfor the empty page is a white flag of their surrender.If I speak of them, I must walkon the edge of myself, I must live as a blind manwho runs through the rooms withouttouching the furniture.Yes, I live. I can cross the streets asking "What yearis it?"I can dance in my sleep and laughin front of the mirror.Even sleep is a prayer, Lord,I will praise your madness, andin a language not mine, speakof music that wakes us, musicin which we move. For whatever I sayis a kind of petition and the darkest daysmust I praise.”

“I will praise your madness, andin a language not mine, speakof music that wakes us, musicin which we move. For whatever I sayis a kind of petition, and the darkestdays must I praise.”

“A Ballad of Going Down to the StoreFirst I went down to the streetby means of the stairs, just imagine it, by means of the stairs. Then people known to people unknownpassed me by and I passed them by. Regretthat you did not seehow people walk,regret!I entered a complete store:lamps of glass were glowing. I saw somebody - he sat down - and what did I hear? what did I hear? rustling of bags and human talk. And indeed,indeed,I returned. --Miron Bialoszewski (Poland, 1922-1983)”

“But in the secret history of anger--one man's silence / lives in the bodies of others.”

“Ivy Walker: When we are married, will you dance with me? I find dancing very agreeable. Why can you not say what is in your head? Lucius Hunt: Why can you not stop saying what is in yours? Why must you lead, when I want to lead? If I want to dance I will ask you to dance. If I want to speak I will open my mouth and speak. Everyone is forever plaguing me to speak further. Why? What good is it to tell you you are in my every thought from the time I wake? What good can come from my saying that I sometimes cannot think clearly or do my work properly? What gain can rise of my telling you the only time I feel fear as others do is when I think of you in harm? That is why I am on this porch, Ivy Walker. I fear for your safety before all others. And yes, I will dance with you on our wedding night.”

“One would think of a boy layingsyllables with his tongueonto a woman’s skin: those are linessewn entirely of silence.”

“I write only for my shadow which is cast on the wall in front of the light. I must introduce myself to it.”