“Paris had its sweetest smell, the smell of chestnut trees in bloom and of petrol with a few grains of dust that crack under your teeth like pepper. In the darknes the danger seemed to grow. You could smell the suffering in the air, in the silence. Everyone looked at their house and thought, "Tomorrow it will be in ruins, tomorrow I'l have nothing left.”
“Adieu," he said, "this is goodbye. I'll never forget you, never."She stood silent. He looked at her and saw her eyes full of tears. He turned away.At this moment she wasn't ashamed of loving him, because her physical desire had gone and all she felt towards him now was pity and a profound, almost maternal tenderness. She forced herself to smile. "Like the Chinese mother who sent her son off to war telling him to be careful 'because war has its dangers,' I'm asking you, if you have any feelings for me, to be as careful as possible with your life."Because it is precious to you?" he asked nervously.Yes. Because it is precious to me.”
“But she loved studying and books, the way other people love wine for its power to make you forget. What else did she have? She lived in a deserted, silent house. The sound of her own footsteps in the empty rooms, the silence of the cold streets beyond the closed windows, the rain and the snow, the early darkness, the green lamp beside her that burned throughout the long evenings and which she watched for hours on end until its light began to waver before her weary eyes: this was the setting for her life.”
“These two sections [of Irene Nemirovsky's Suite Francaise], plus some of the author's notes, are all we have -- this in itself is a tragedy and waste of war. Had this novel been finished we would be hailing it as one of the supreme works of literature. As it stands, it is like a great cathedral gutted by a bomb. The ruined shell still soars to heaven, a reminder of the human spirit triumphing despite human destructiveness.”
“The sun was shining with the kind of brilliant, silvery light you sometimes find in the middle of a truly beautiful day; an almost imperceptible iridescent mist hovered in the air and all the fresh colours of June were intensified, looked richer and softer, as if reflected through a prism.”
“When I was a boy, playing at the beach, I remember a game I loved, which was an omen of my future life. I would dig a channel with high sides in the sand for the sea to fill. But when the water flooded the path I created for it with such violence that it destroyed everything in its way: my castles made of pebbles, my dikes of sand. It swept away everything, destroying it all, then disappeared, leaving me with a heavy heart, yet not daring to ask for pity, since the sea had only responded to my call. It's the same with love. You call out for it, you plan its course. The wave crashes into your heart, but it's so different from how you imagined it, so bitter and icy.”
“When older people get together there is something unflappable about them; you can sense they’ve tasted all the heavy, bitter, spicy food of life, extract its poison, and will now spend ten or fifteen years in a state of perfect equilibrium and enviable morality. They are happy with themselves. They have renounced the vain attempts of youth to adapt the world to their desires. They have failed and now, they can relax. In a few years they will once again be troubled by a great anxiety, but this time it will be a fear of death; it will have a strange effect on their tastes, it will make them indifferent, or eccentric, or moody, incomprehensible to their families, strangers to their children. But between the ages of forty and sixty they enjoy a precarious sense of tranquility.”