“The most essential and fundamental aspect of culture is the study of literature, since this is an education in how to picture and understand human situations.”

“Every persisting marriage is based on fear', said Peregrine. 'Fear is fundamental, you dig down in human nature and what's at the bottom? Mean spiteful cruel self-regarding fear, whether it makes you to put the foot in it or whether it makes you to cower...”

“For most of us, for almost all of us, truth can be attained, if at all, only in silence. It is in silence that the human spirit touches the divine.”

“The theatre is certainly a place for learning about the brevity of human glory: oh all those wonderful glittering absolutely vanished pantomime! Now I shall abjure magic and become a hermit : put myself in a situation where I can honestly say that I have nothing else to do but to learn to be good.”

“Education doesn’t make you happy. Nor does freedom. We don’t become happy just because we’re free – if we are. Or because we’ve been educated – if we have. But because education may be the means by which we realize we are happy. It opens our eyes, our ears, tells us where delights are lurking, convinces us that there is only one freedom of any importance whatsoever, that of the mind, and gives us the assurance – the confidence – to walk the path our mind, our educated mind, offers.”

“Even those novelists most commonly deemed “philosophical” have sometimes answered with an emphatic no. Iris Murdoch, the longtime Oxford philosopher and author of some two dozen novels treating highbrow themes like consciousness and morality, argued that philosophy and literature were contrary pursuits. Philosophy calls on the analytical mind to solve conceptual problems in an “austere, unselfish, candid” prose, she said in a BBC interview broadcast in 1978, while literature looks to the imagination to show us something “mysterious, ambiguous, particular” about the world. Any appearance of philosophical ideas in her own novels was an inconsequential reflection of what she happened to know. “If I knew about sailing ships I would put in sailing ships,” she said. “And in a way, as a novelist, I would rather know about sailing ships than about philosophy.”

“It is in the capacity to love, that is to SEE, that the liberation of the soul from fantasy consists. The freedom which is a proper human goal is the freedom from fantasy, that is the realism of compassion. What I have called fantasy, the proliferation of blinding self-centered aims and images, is itself a powerful system of energy, and most of what is often called 'will' or 'willing' belongs to this system. What counteracts the system is attention to reality inspired by, consisting of, love.”