“Are you asking me or telling me?”

“Iggy Pop looks right at me as he sings the line: 'America takes drugs in psychic defence'; only he changes 'America' to 'Scatlin', and defines us mair accurately in a single sentence than all the others have ever done.”

“What interests me, personally, is work which in some way, speaks the truth to power…I don’t think we speak the truth to power for power’s ear, but for the ear and the imagination of future generations, who would seek to live in a world free from the malign and self-serving influence of those who wield it.”

“I was anti-everything and everyone. I didn't want people around me. This aversion was not some big crippling anxiety; merely a mature recognition of my own psychological vulnerability and my lack of suitability as a companion. Thoughts jostled for space in my crowded brain as i struggled to give them some order which might serve to motivate my listless life.”

“We wait and think and doubt and hate. How does it make you feel? The overwhelming feeling is rage. We hate ourself for being unable to be other than what we are. Unable to be better. We feel rage. The feelings must be followed. It doesn't matter whether you're an ideologue or a sensualist, you follow the stimuli thinking that they're your signposts to the promised land. But they are nothing of the kind. What they are is rocks to navigate the past, each on your brush against, ripping you a little more open and they are always more on the horizon. But you can't face up to the that, so you force yourself to believe the bullshit of those you instinctively know are liars and you repeat those lies to yourself and to others, hoping that by repeating them often and fervently enough you'll attain the godlike status we accord those who tell the lies most frequently and most passionately. But you never do, and even if you could, you wouldn't value it, you'd realise that nobody believes in heroes any more. We know that they only want to sell us something we don't really want and keep from us what we really do need. Maybe that's a good thing. Maybe we're getting in touch with our condition at last. It's horrible how we always die alone, but no worse than living alone.”

“This is from "Marabou Stork Nightmares".Bernard's Poem:Did you see her on the telly the other daygood family entertainment the tabloids sayBut when you're backstageat your new faeces auditionyou hear the same old shite of your own selfish volitionShe was never a singera comic or a dancerI cant say I was sadwhen I found out she had cancerGreat Britain's earthy northerncomedy queentakes the rand, understandfrom the racist Boer regimeSo now her cells are fuckedand thats just tough tittyI remember her actthat I caught back in Sun CityShe went on and on about'them from the treeswith different skull shapesfrom the likes of you and me'Her Neo-Nazi spellit left me fucking numbthe Boers lapped it up with zealso did the British ex-pat scumBut what goes roundcomes round they sayso welcome to another doseof chemotherapyAnd for my partit's time to be upfrontso fuck off and dieyou carcinogenic cunt.”

“Thing is, as ye git aulder, this character-deficiency gig becomes mair sapping. Thir wis a time ah used tae say tae aw the teachers, bosses, dole punters, poll-tax guys, magistrates, when they telt me ah was deficient:'Hi, cool it, gadge, ah'm jist me, jist intae a different sort ay gig fae youse but, ken?' Now though, ah've goat tae concede thit mibee they cats had it sussed. Ye take a healthier slapping the aulder ye git. The blows hit hame mair. It's like yon Mike Tyson boy at the boxing, ken? Every time ye git it thegither tae make a comeback, thir's jist a wee bit mair missin. So ye fuck up again. Yip, ah'm jist no a gadge cut oot fir modern life n that's aw thir is tae it, man. Sometimes the gig goes smooth, then ah jist pure panic n it's back tae the auld weys. What kin ah dae?”