“Actually, Paris wakes up when it comes time for aperitif.”

“The one who has not seen Paris in the morning does not know how beautiful it is.”

“As he went about to the other workrooms he realised that every painting was a self-portrait even when it was a still life or a scene over the roofs of Paris; for no man ever pictured anything but himself, his core, the things that he was basically. With every brush stroke the artist was mercilessly exposed: he could not conceal nothing, he could pretend to be another person, to believe in other values, but in the end he would fool no one.”

“Our secret thoughts - do they ever show up? The small flame of our soul can be burning hot, but no one comes to its warmth. Passersby see only a small whiff going through the chimney. Don't we need to take care of that flame, cherish it and patiently wait until someone will come and sit at it, do we?”

“First, we think all truth is beautiful, no matter how hideous its face may seem. We accept all of nature, without any repudiation. We believe there is more beauty in a harsh truth than in a pretty lie, more poetry in earthiness than in all the salons of Paris. We think pain is good because it is the most profound of all human feelings. We think sex is beautiful even when portrayed by a harlot and a pimp. We put character above ugliness, pain above prettiness and hard, crude reality above all the wealth in France. We accept life in its entirety without making moral judgments. We think the prostitute is as good as the countess, the concierge as good as the general, the peasant as good as the cabinet minister, for they all fit into the pattern of nature and are woven into the design of life!”

“The fields that push up the corn, and the water that rushes down the ravine, the juice of the grape, and the life of a man as it flows past him, are all one and the same thing. The sole unity in life is the unity of rhythm. A rhythm to which we all dance; men, apples, ravines, ploughed fields, carts among the corn, houses, horses, and the sun. The stuff that is in you, Gauguin, will pound through a grape tomorrow, because you and the grape are one. When I paint a peasant labouring in the field, I want people to feel the peasant flowing down into the soil, just as the corn does, and the soil flowing up into the peasant. I want them to feel the sun pouring into the peasant, into the field, the corn, the plough, and the horses, just as they all pour back into the sun. When you begin to feel the universal rhythm in which everything on earth moves, you begin to understand life….”

“You cannot be the good all the time — sometimes it is necessary to get angry.[Vincent Van Gogh]”