“The fields that push up the corn, and the water that rushes down the ravine, the juice of the grape, and the life of a man as it flows past him, are all one and the same thing. The sole unity in life is the unity of rhythm. A rhythm to which we all dance; men, apples, ravines, ploughed fields, carts among the corn, houses, horses, and the sun. The stuff that is in you, Gauguin, will pound through a grape tomorrow, because you and the grape are one. When I paint a peasant labouring in the field, I want people to feel the peasant flowing down into the soil, just as the corn does, and the soil flowing up into the peasant. I want them to feel the sun pouring into the peasant, into the field, the corn, the plough, and the horses, just as they all pour back into the sun. When you begin to feel the universal rhythm in which everything on earth moves, you begin to understand life….”

“...religions all have the same timeline...First the people feel the need to worship something. The sun or the giant corn of ear. That's the first thing. Then the guys say okay, now that we've got the giant corn thing going, how can we use it to oppress women?”

“Long dormant feelings poured through my dried-up limbs and wound through me, slowly filling the emptiness. Like an irrigated field, I felt myself blossom and grow with new vigor. He was the sun, and the tenderness he showed me was life-giving water. ”

“Can you keep a secret, Sarah?" she asked. I nodded, remembering all our secrets shared together in her mother's house, and she said, her breath hot in my ear, "You cannot harvest the corn until you go into the corn."I awoke with tears on my face, my hands clutching at the ribs around my heart. I had for more than forty years kept the past behind an impenetrable wall of my own devising. I thought that to move beyond this wall and revisit the past would scorch my reason and make me mad. But then, as I lay sweating in bed, restless and prickly, it came to me that to harvest a field of corn one does not wade into the dark middle of things and cut the stalks from the inside out. It is best done starting with the outside ears and working inward, stalk by stalk, keeping the light of the sun always at one's back so that its rays can illuminate each ear of corn, be it whole and sweet or black and blighted. And in this way does one make a meal that feeds a starving body back to wholeness. (183)”

“Being established in my life, buttressed by my thinking nature, fastened down in this transcendental field which was opened for me by my first perception, and in which all absence is merely the obverse of a presence, all silence a modality of the being of sound, I enjoy a sort of ubiquity and theoretical eternity, I feel destined to move in a flow of endless life, neither the beginning nor the end of which I can experience in thought, since it is my living self who think of them, and since thus my life always precedes and survives itself.”

“The sun goes down long and red. All the magic names of the valley unrolled - Manteca, Madera, all the rest. Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon field; the sun the color of pressed grapes, slashed with burgundy red, the fields the color of love and Spanish mysteries. I stuck my head out the window and took deep breaths of the fragant air. It was the most beautiful of all moments.”