“What I really love about them... is the fact that they contain someone's personal history...I find myself wondering about their lives. I can never look at a garment... without thinking about the woman who owned it. How old was she? Did she work? Was she married? Was she happy?... I look at these exquisite shoes, and I imagine the woman who owned them rising out of them or kissing someone...I look at a little hat like this, I lift up the veil, and I try to imagine the face beneath it... When you buy a piece of vintage clothing you're not just buying the fabric and thread - you're buying a piece of someone's past.”
“You act like you're invincible, but I know deep down you want someone to hold your hand and buy you flowers and look you in the eye and tell you you're his soul mate. You want someone who will love every piece of you, even the pieces you can't love yourself.”
“As the lights fade to a distant glow, I look back toward the city and imagine, somewhere in all of those lives, a little girl who is a lot like me. Maybe she rides in a car thinking about someone living far away from these lights and people. Even though our lives are separated by so much I wonder if she imagines the world through eyes like mine.”
“She's not my girlfriend. We're just friends," I said automatically. "Shut up. You're so whipped I should buy you a saddle." Which he would've said about any girl I talked to, talked about, or even looked at in the hall. "She's not. Nothing's happened. We just hang out." "You're so full of crap, you could pass for a toilet. You like her, Wate. Admit it." Link wasn't big on subtleties, and I don't think he could imagine hanging out with a girl for any reason other than maybe she played lead guitar, except for the obvious ones.”
“I read about a famous mystery writer who worked for one week in a department store. One day she saw a woman come in and buy a doll. The mystery writer found out the woman’s name, and took a bus to New Jersey to see where the woman lived. That was all. Years later, she referred to this woman as the love of her life. It is possible to imagine a person so entirely that the image resists attempts to dislodge it.”
“I have never talked to anyone about that night. Ever...' she said. 'And now when I listen to my own words, I realise that they tell a different story from the one I have carried all these years.' The old woman closed her eyes. 'I think that if we can find the words, and if we can find someone to tell them to, then perhaps we can see things differently. But I had no words, and I had nobody.”