“Renouncing things is less difficult than people believe: it's all a matter of getting started. Once you've succeeded in dispensing with something you thought essential, you realize you can also do without something else, then without many other things.”

“Reading," he says, "is always this: there is a thing that is there, a thing made of writing, a solid material object, which cannot be changed, and through this thing we measure ourselves against something else that is not present, something else that belongs to the immaterial, invisible world, because it can only be thought, imagined, or because it was once and is no longer, past, lost, unattainable, in the land of the dead....""Or that is not present because it does not yet exist, something desire, feared, possible or impossible," Ludmilla says. "Reading is going toward something that is about to be, and no one yet knows what it will be....”

“Sections in the bookstore- Books You Haven't Read- Books You Needn't Read- Books Made for Purposes Other Than Reading- Books Read Even Before You Open Them Since They Belong to the Category of Books Read Before Being Written- Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered- Books You Mean to Read But There Are Others You Must Read First- Books Too Expensive Now and You'll Wait 'Til They're Remaindered- Books ditto When They Come Out in Paperback- Books You Can Borrow from Somebody- Books That Everybody's Read So It's As If You Had Read Them, Too- Books You've Been Planning to Read for Ages- Books You've Been Hunting for Years Without Success- Books Dealing with Something You're Working on at the Moment- Books You Want to Own So They'll Be Handy Just in Case- Books You Could Put Aside Maybe to Read This Summer- Books You Need to Go with Other Books on Your Shelves- Books That Fill You with Sudden, Inexplicable Curiosity, Not Easily Justified- Books Read Long Ago Which It's Now Time to Re-read- Books You've Always Pretended to Have Read and Now It's Time to Sit Down and Really Read Them”

“A writer's work has to take account of many rhythms: Vulcan's and Mercury's, a message of urgency obtained by dint of patient and meticulous adjustments and an intuition so instantaneous that, when formulated, it acquires the finality of something that could never have been otherwise. But it is also the rhythm of time that passes with no other aim than to let feelings and thoughts settle down, mature, and shed all impatience or ephemeral contingency.”

“The things that the novel does not say are necessarily more numerous than those it does say and only a special halo around what is written can give the illusion that you are reading also what is not written.”

“Ludmilla, now you are being read. Your body is being subjected to a systematic reading, through channels of tactile information, visual, olfactory, and not without some intervention of the taste buds. Hearing also has its role, alert to your gasps and your trills. It is not only the body that is, in you, the object of raeding: the body matters insofar as it is part of a complex of elaborate elements, not all visible and not all present, but manifested in visible and present events: the clouding of your eyes, your laughing, the words you speak, your way of gathering and spreading your hair, your initiatives and your reticences, and all the signs that are on the frontier between you and usage and habits and memory and prehistory and fashion, all codes, all the poor alphabets by which one human being believes at certain moments that he is reading another human being.”

“There is still one of which you never speak.'Marco Polo bowed his head.'Venice,' the Khan said.Marco smiled. 'What else do you believe I have been talking to you about?'The emperor did not turn a hair. 'And yet I have never heard you mention that name.'And Polo said: 'Every time I describe a city I am saying something about Venice.”