“However passionate, sinning, and rebellious the heart hidden in the tomb, the flowers growing over it peep serenely at us with their innocent eyes; they tell us not of eternal peace alone, of that great peace of "indifferent" nature: they tell us, too, of eternal reconciliation and of life without end.”

“Run along, my friend, Andrei Petrovitch, put a hat on your learned head, and let us go where our eyes lead us. Our eyes are young--they may lead us far.”

“From lips indifferent of her death I heard, Indifferently I listened to it, too,'were echoing in my heart. O youth, youth! little dost thou care for anything; thou art master, as it were, of all the treasures of the universe—even sorrow gives thee pleasure, even grief thou canst turn to thy profit; thou art self-confident and insolent; thou sayest, 'I alone am living—look you!'—but thy days fly by all the while, and vanish without trace or reckoning; and everything in thee vanishes, like wax in the sun, like snow…. And, perhaps, the whole secret of thy charm lies, not in being able to do anything, but in being able to think thou wilt do anything; lies just in thy throwing to the winds, forces which thou couldst not make other use of; in each of us gravely regarding himself as a prodigal, gravely supposing that he is justified in saying, 'Oh, what might I not have done if I had not wasted my time!”

“O youth! youth! you go your way heedless, uncaring – as if you owned all the treasures of the world; even grief elates you, even sorrow sits well upon your brow. You are self-confident and insolent and you say, 'I alone am alive – behold!' even while your own days fly past and vanish without trace and without number, and everything within you melts away like wax in the sun .. like snow .. and perhaps the whole secret of your enchantment lies not, indeed, in your power to do whatever you may will, but in your power to think that there is nothing you will not do: it is this that you scatter to the winds – gifts which you could never have used to any other purpose. Each of us feels most deeply convinced that he has been too prodigal of his gifts – that he has a right to cry, 'Oh, what could I not have done, if only I had not wasted my time.”

“Again his dead wife came back to his imagination, but not as he had known her for many years, not as the good domestic housewife, but as a young girl with a slim figure, innocently inquiring eyes, and a tight twist of hair on her childish neck. He remembered how he had seen her for the first time. He was still a student then. He had met her on the staircase of his lodgings, and, jostling by accident against her, he tried to apologise, and could only mutter, 'Pardon, monsieur,' while she bowed, smiled, and suddenly seemed frightened, and ran away, though at the bend of the staircase she had glanced rapidly at him, assumed a serious air, and blushed. Afterwards, the first timid visits, the half-words, the half-smiles, and embarrassment; and melancholy, and yearnings, and at last that breathing rapture.... Where had it all vanished? She had been his wife, he had been happy as few on earth are happy.... 'But,' he mused, 'these sweet first moments, why could one not live an eternal, undying life in them?”

“There is a sweetness in being the sole source, the autocratic and irresponsible cause of the greatest joy and profoundest pain to another, and I was like wax in Zinaïda's hands; though, indeed, I was not the only one in love with her. All the men who visited the house were crazy over her, and she kept them all in leading-strings at her feet. It amused her to arouse their hopes and then their fears, to turn them round her finger (she used to call it knocking their heads together), while they never dreamed of offering resistance and eagerly submitted to her. About her whole being, so full of life and beauty, there was a peculiarly bewitching mixture of slyness and carelessness, of artificiality and simplicity, of composure and frolicsomeness; about everything she did or said, about every action of hers, there clung a delicate, fine charm, in which an individual power was manifest at work. And her face was ever changing, working too; it expressed, almost at the same time, irony, dreaminess, and passion. Various emotions, delicate and quick-changing as the shadows of clouds on a sunny day of wind, chased one another continually over her lips and eyes.”

“Yes," he said, without looking at anyone; "it's a misfortune to live five years in the country like this, far from the mighty intellects! You turn into a fool directly. You may try not to forget what you've been taught, but -in a snap!- they'll prove all that's rubbish, and tell you that sensible men have nothing more to do with such foolishness, and that you, if you please, are an antiquated old fogey. What's to be done? Young people, of course, are cleverer than we are!”