“There was nothing ugly in the small, unprepossessing figure of this emancipated woman, but the expression on her face made a bad impression on the viewer. One felt inclined to ask: "What's the matter? Are you hungry? Bored? Afraid? Why so tense?" Just like Sitnikov, she was always anxious. She spoke and moved in a rather casual, though awkward,manner: she obviously considered herself a good-natured, simple creature; at the same time, no matter what she did, it always seemed that she didn't want to be doing that. Everything she did appeared to be done on purpose, as children say, that is, neither simply nor naturally.”

“Nature cares nothing for logic, our human logic: she has her own, which we do not recognize and do not acknowledge until we are crushed under its wheel.”

“There is a sweetness in being the sole source, the autocratic and irresponsible cause of the greatest joy and profoundest pain to another, and I was like wax in Zinaïda's hands; though, indeed, I was not the only one in love with her. All the men who visited the house were crazy over her, and she kept them all in leading-strings at her feet. It amused her to arouse their hopes and then their fears, to turn them round her finger (she used to call it knocking their heads together), while they never dreamed of offering resistance and eagerly submitted to her. About her whole being, so full of life and beauty, there was a peculiarly bewitching mixture of slyness and carelessness, of artificiality and simplicity, of composure and frolicsomeness; about everything she did or said, about every action of hers, there clung a delicate, fine charm, in which an individual power was manifest at work. And her face was ever changing, working too; it expressed, almost at the same time, irony, dreaminess, and passion. Various emotions, delicate and quick-changing as the shadows of clouds on a sunny day of wind, chased one another continually over her lips and eyes.”

“Again his dead wife came back to his imagination, but not as he had known her for many years, not as the good domestic housewife, but as a young girl with a slim figure, innocently inquiring eyes, and a tight twist of hair on her childish neck. He remembered how he had seen her for the first time. He was still a student then. He had met her on the staircase of his lodgings, and, jostling by accident against her, he tried to apologise, and could only mutter, 'Pardon, monsieur,' while she bowed, smiled, and suddenly seemed frightened, and ran away, though at the bend of the staircase she had glanced rapidly at him, assumed a serious air, and blushed. Afterwards, the first timid visits, the half-words, the half-smiles, and embarrassment; and melancholy, and yearnings, and at last that breathing rapture.... Where had it all vanished? She had been his wife, he had been happy as few on earth are happy.... 'But,' he mused, 'these sweet first moments, why could one not live an eternal, undying life in them?”

“So long as one's just dreaming about what to do, one can soar like an eagle and move mountains, it seems, but as soon as one starts doing it one gets worn out and tired.”

“She found it sinful and expensive to have sugar in her tea, although she herself never spent a penny on anything.”

“I was afraid of looking into my heart...afraid of thinking seriously about anything...I did not want to know whether I was loved, and I did not want to admit to myself that I was not loved...”