“A car crash harnesses elements of eroticism, aggression, desire, speed, drama, kinesthetic factors, the stylizing of motion, consumer goods, status -- all these in one event. I myself see the car crash as a tremendous sexual event really: a liberation of human and machine libido (if there is such a thing).”

“The ambiguous role of the car crash needs no elaboration—apart from our own deaths, the car crash is probably the most dramatic event in our lives, and in many cases the two will coincide. Aside from the fact that we generally own or are at the controls of the crashing vehicle, the car crash differs from other disasters in that it involves the most powerfully advertised commercial product of this century, an iconic entity that combines the elements of speed, power, dream and freedom within a highly stylized format that defuses any fears we may have of the inherent dangers of these violent and unstable machines.”

“People want to see the car crash instead of the race. But, when you're the one in the car that's crashing, it's not much fun. I'm enjoying the race.”

“Well, if someone is a bad driver and all the other drivers around them are good drivers, then they are safe because all the good drivers will dodge the bad driver so that there is no car crash. But if there is another bad driver, then there can be a crash.”

“Research shows that women do judge status by the car men drive. Luxury cars convey high status. When a woman drives a sports car, it is perceived as a slightly aggressive show of independence and can be intimidating to a man.”

“Long live the car crash heartsCry on the couch all the poets come to life Fix me in 45”