“How astonishing it is that language can almost mean,and frightening that it does not quite.”

Jack Gilbert

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“The Forgotten Dialect of the HeartHow astonishing it is that language can almost mean,and frightening that it does not quite. Love, we say,God, we say, Rome and Michiko, we write, and the wordsget it all wrong. We say bread and it means accordingto which nation. French has no word for home,and we have no word for strict pleasure. A peoplein northern India is dying out because their ancienttongue has no words for endearment. I dream of lostvocabularies that might express some of whatwe no longer can. Maybe the Etruscan texts wouldfinally explain why the couples on their tombsare smiling. And maybe not. When the thousandsof mysterious Sumerian tablets were translated,they seemed to be business records. But what if theyare poems or psalms? My joy is the same as twelveEthiopian goats standing silent in the morning light.O Lord, thou art slabs of salt and ingots of copper,as grand as ripe barley lithe under the wind's labor.Her breasts are six white oxen loaded with boltsof long-fibered Egyptian cotton. My love is a hundredpitchers of honey. Shiploads of thuya are whatmy body wants to say to your body. Giraffes are thisdesire in the dark. Perhaps the spiral Minoan scriptis not language but a map. What we feel most hasno name but amber, archers, cinnamon, horses, and birds.”


“I dream of lost vocabularies that might express some of what we no longer can.”


“We must risk delight. We can do without pleasure,but not delight. Not enjoyment. We must havethe stubbornness to accept our gladness in the ruthlessfurnace of this world. To make injustice the onlymeasure of our attention is to praise the Devil.”


“Failing and Flying"Everyone forgets that Icarus also flew.It's the same when love comes to an end,or the marriage fails and people saythey knew it was a mistake, that everybodysaid it would never work. That she was old enough to know better. But anythingworth doing is worth doing badly.Like being there by that summer oceanon the other side of the island whilelove was fading out of her, the stars burning so extravagantly those nights thatanyone could tell you they would never last.Every morning she was asleep in my bedlike a visitation, the gentleness in herlike antelope standing in the dawn mist.Each afternoon I watched her coming backthrough the hot stony field after swimming,the sea light behind her and the huge skyon the other side of that. Listened to herwhile we ate lunch. How can they say the marriage failed? Like the people whocame back from Provence (when it was Provence)and said it was pretty but the food was greasy.I believe Icarus was not failing as he fell,but just coming to the end of his triumph.”


“DuendeI can't remember her name.It's not as though I've been in bedwith that many women.The truth is I can't even rememberher face. I kind of know how strongher thighs were, and her beauty.But what I won't forgetis the way she tore openthe barbecued chicken with her hands,and wiped the grease on her breasts.”


“The water nymphs who came to Poseidonexplained how little they desired to couplewith the gods. Except to find outwhether it was different, whether there wasa fresh world, another dimension in their loins.In the old Pittsburgh, we dreamed of a city where women read Proust in the original French, and wondered whether we would cross overinto a different joy if we paid a call girla thousand dollars for a night. Or an hour. Would it be different in kind or onlytricks and apparatus? I worried that a great love might make everything else an exile. It turned out that being together at twilight in the olive groves of Umbriadid, indeed, measure everything after that.”