“Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year.Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself.See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all.Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well.The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants."[Getting Into Print (The Editor magazine, March 1903)]”

“You get work however you get work, but people keep working in a freelance world (and more and more of todays world is freelance), because their work is good, because they are easy to get along with and because they deliver the work on time. And you don’t even need all three! Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. People will forgive the lateness of your work if it is good and they like you. And you don’t have to be as good as everyone else if you’re on time and it’s always a pleasure to hear from you.”

“If you don’t put 99 percent of yourself into the writing, there will be no publishing career. There’s the writer and there’s the author. The author—you don’t ever think about the author. Just think about the writer. So my advice would be, find a way to not care—easier said than done. Accept that the world may never notice this thing you worked so hard at. And instead, do it for it, find a job, find a way of living that gives you an hour or two or three a day to do it, and then work your ass off sending out, trying to get out there, but do not put the pressure on the work to do something for you. Because then you’re going to be writing dishonestly and for the market instead of for the characters and your story.”

“your life isn’t out there waiting, so don’t think all you have to do is find it and get it. no, your life is right here. and, yeah, it sucks. lives usually do. so if you want things to change, you don’t need to get a life. you need to get off your ass.”

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

“Wide reading is important. You don’t have to like it, but it’s important to grapple with things you don’t understand. I’ve been spending the last six months getting up an hour early to try to understand economics because I need to. I don’t want to be one of these bewildered schmucks. The things that you understand will inform your writing. The bigger your mind, the better your work is going to be. You’re not born with a big mind; you have to build it. If I don’t read for an hour a day, I get ill.”