“Time is, to put it in its most impressive and some might say poncy-sounding form, my domain. I can see things that once happened, even if they haven't happened any more. Well, if I concentrate. The new reality-the real reality- keeps asserting itself, even with me. But the other time line leaves echoes, ripples, if you look hard enough.”

“The thing is, all memory is fiction. You have to remember that. Of course, there are things that actually, certifiably happened, things you can pinpoint the day, the hour, the minute. When you think about it, though, those things, mostly seem to happen to other people. This story actually happened, and it happened pretty much the way I am going to tell it to you. It's a true story as much as six decades or telling and remembering can allow it to be true. Time changes things, and you don't always get everything right. You remember a little thing clear as a bell, the weather, say, or the splash of light on the river's ripples as the sun was going down into the black pines. things not even connected to anything in particular, while other things, big things even, come completely disconnected and no longer have any shape or sound. The little things seem more real than the big things.”

“Sometimes big things happen, and they echo. Those echoes crash across worlds. They are the ripples in the fabric of things. Often they manifest as storms. Reality is a fragile thing, after all.”

“It was not in my nature to be an assertive person. I was used to looking to others for guidance, for influence, sometimes for the most basic cues of life. And yet writing stories is one of the most assertive things a person can do. Fiction is an act of willfulness, a deliberate effort to reconceive, to rearrange, to reconstitute nothing short of reality itself. Even among the most reluctant and doubtful of writers, this willfulness must emerge. Being a writer means taking the leap from listening to saying, “Listen to me.”

“I begin to wonder how different "real" love is from my imaginary affair. In any relationship there's both reality and the perception of reality. As long as I see the other person as smart or sexy or handsome or good and as long as I can hang on to the feeling of loving and being loved then it's real. But somehow we're able to hang on to those feelings and beliefs even when objective reality diverges. Actions don't necessarily alter beliefs and beliefs matter more. Before you fall in love you begin to imagine the other person. You create your lover extrapolating on reality dusting him or her with gold. You embellish to the point of perfection and then fall hard for the image you've made. With all my traveling I may have spent more time imagining than others. But a huge amount of all love takes place in the head. In the middle of any relationship we can spend more time hour for hour thinking about the other person than we spend in his presence. And after any breakup there's no telling how long we might pine for someone. Love itself is in the mind's eye.”

“It's kind of like when you look at yourself in the mirror and you say your name. And it gets to a point where none of it seems real. Well, sometimes I can do that, but I don't need an hour in front of a mirror. It just happens very fast, and things start to slip away. And I just open my eyes, and I see nothing. And then I start to breathe really hard trying to see something, but I can't. It doesn't happen all the time, but when it does, it scares me.”