“There is an illusion about America, a myth about America to which we are clinging which has nothing to do with the lives we lead and I don't believe that anybody in this country who has really thought about it or really almost anybody who has been brought up against it--and almost all of us have one way or another--this collision between one's image of oneself and what one actually is is always very painful and there are two things you can do about it, you can meet the collision head-on and try and become what you really are or you can retreat and try to remain what you thought you were, which is a fantasy, in which you will certainly perish.”

“I no longer believe that we can keep silent. We never really do, mind you. In one way or another we articulate what has happened to us through the kind of people we become.”

“You can do one of two things; just shut up, which is something I don't find easy, or learn an awful lot very fast, which is what I tried to do.”

“The thing is, and here we come to E. Gorey's Great Simple Theory About Art (which he has never tried to communicate to anybody else until now, so prepare for Severe Bafflement), that on the surface they are so obviously those situations that it is very difficult to see that they really are about something else entirely. This is the theory, incidentally, that anything is art, and it's the way I tell, is presumably about some certain thing, but is really always about something else, and it's no good having one without the other, because if you have the something it is boring and if you just have the something else it's irritating.”

“I don't have any regrets, really, except that one. I wanted to write about you, about us, really. Do you know what I mean? I wanted to write about everything, the life we're having and the lives we might have had. I wanted to write about all the ways we might have died.”

“You know how we can be about things which sparkle and shine. We imagine they will put back something of what has been lost.”