“You will and should do everything in your power to improve your actual writing skills. You’ll work hard to create characters that are compelling and unforgettable. But in the end, it’s the story that matters. Don’t ever let the other stuff get in the way of your inherent skills as a kick-butt storyteller. Move the reader, make them happy and sad and excited and scared. Make them stare into space after they’ve put the book down, thinking about the tale that’s become a part of them. Be unpredictable, be real, be interesting. Tell a good story.”

“Teresa stood up, surprising Thomas with her confidence.“Guess he forgot to tell the little part about me kicking him in the groin and climbing out the window.” Thomas almost laughed as Newt turned to an older boy standing nearby, whose face had turned bright red. “Congrats, Jeff,” Newt said. “You’re officially the first guy here to get your butt beat by a girl.”

“I sent a lot of publishing ideas to my publisher, about 30 of them. Each time except 3, i got a "rejection letter". This is basically what a rejection letter is like:Hello Pathetic Moron,We read your book. It sucked. Don't send us another one. If you do, we will run over your grandmother with a bus. Don't Do It.From, Your Publisher”

“I can still kick your pony-lovin' butt with twice this much pain."Thomas shrugged, "I do love ponies. Wish I could eat one right now.”

“...You'd think the little part about them supposedly killing us would be the attention getter.”

“Shuck it,” Minho responded. “I’m tougher than nails. I could still kick your pony-lovin’ butt with twice this pain.” Thomas shrugged. “I do love ponies. Wish I could eat one right now.”

“Love hurts.Think back over romance novels you’ve loved or the genre-defining books that drive our industry. The most unforgettable stories and characters spring from crushing opposition. What we remember about romance novels is the darkness that drives them. Three hundred pages of folks being happy together makes for a hefty sleeping pill, but three hundred pages of a couple finding a way to be happy in the face of impossible odds makes our hearts soar. In darkness, we are all alone.So don’t just make love, make anguish for your characters. As you structure a story, don’t satisfy your hero’s desires, thwart them. Make sure your solutions create new problems. Nurture your characters doubts and despair. Make them earn the happy ending they want, even better…make them deserve it. Delay and disappointment charge situations and validate character growth. Misery accompanies love. It’s no accident that many of the stories we think of as timeless romances in Western Literature are fiercely tragic: Romeo and Juliet, Tristan and Isolde, Cupid and Psyche… the pain in them drags us back again and again, hoping that this time we’ll find a way out of the dark.Only if you let your characters get lost will we get lost in them. And that, more than anything else, is what romance can and should do for its protagonists and its readers: lead us through the labyrinth, skirt the monstrous despair roaming its halls, and find our way into daylight.”