“Beware the horns of a bull, the heels of the horse, and the smile of an Englishman.”

“Horseness is the whatness of allhorse. Streams of tendency and eons they worship. God: noise in the street: very peripatetic.”

“That is horse piss and rotted straw, he thought. It is a good odour to breathe. It will calm my heart. My heart is quite calm now. I will go back.”

“If he had smiled why would he have smiled? To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.”

“I've been working hard on [Ulysses] all day," said Joyce. Does that mean that you have written a great deal?" I said. Two sentences," said Joyce. I looked sideways but Joyce was not smiling. I thought of [French novelist Gustave] Flaubert. "You've been seeking the mot juste?" I said. No," said Joyce. "I have the words already. What I am seeking is the perfect order of words in the sentence.”

“He turned abruptly his great searching eyes from the sea to Stephen's face.--The aunt thinks you killed your mother, he said. That's why she won't let me have anything to do with you.--Someone killed her, Stephen said gloomily.--You could have knelt down, damn it, Kinch, when your dying mother asked you, Buck Mulligan said. I'm hyperborean as much as you. But to think of your mother begging you with her last breath to kneel down and pray for her. And you refused. There is something sinister in you . . .He broke off and lathered again lightly his farther cheek. A tolerant smile curled his lips.--But a lovely mummer, he murmured to himself. Kinch, the loveliest mummer of them all.He shaved evenly and with care, in silence, seriously.Stephen, an elbow rested on the jagged granite, leaned his palm against his brow and gazed at the fraying edge of his shiny black coat-sleeve. Pain, that was not yet the pain of love, fretted his heart. Silently, in a dream she had come to him after her death, her wasted body within its loose brown grave-clothes giving off an odour of wax and rosewood, her breath, that had bent upon him, mute, reproachful, a faint odour of wetted ashes.”

“Where oranges have been laid to rust upon the green...”