“Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.”

“I reached out a hand, and touched her. Her body was hard, and slim, and lithe, and her breasts felt like breasts that Gauguin might have painted. Her mouth, in the darkness, was soft and warm against mine.People come into your life for a reason.”

“Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.”

“He looked at her an instant, for the effect of the graceful girlish figure with pale, passionate face and dark eyes full of sorrow, pride and resolution was wonderfully enhanced by the gloom of the great room, and glimpses of a gathering storm in the red autumn sky.”

“You are so beautiful,” he sighed into her hair.She tried to check her girlish giggle, unsuccessfully. “Gray, it’s dark aspitch. You can’t even see me.”“Even in the dark,” he murmured against her skin. “You are the mostbeautiful woman I’ve ever known, even in the dark.”

“When he thought of her, he could call up a vivid picture of her to himself, especially the charm of that little fair head, so freely set on the shapely girlish shoulders, and so full of childish brightness and good humor. The childishness of her expression, together with the delicate beauty of her figure, made up her special charm, and that he fully realised. But what always struck him in her as something unlooked for, was the expression of her eyes, soft, serene, and truthful, and above all, her smile, which always transported Levin to an enchanted world, where he felt himself softened and tender, as he remembered himself in some days of his early childhood.”