“Michael Robartes remembers forgotten beauty and, when his arms wrap her round, he presses in his arms the loveliness which has long faded from the world. Not this. Not at all. I desire to press in my arms the loveliness which has not yet come into the world.”

“I desire to press in my arms the loveliness which has not yet come into the world.”

“She watched as Michael stripped and walked toward the bed, his erection standing proud. The bed dipped as he got in the other side. She rolled toward him, and he pulled her into his arms. His skin was cool against hers, making her nipples bead. She wrapped her arms around him and pressed herself against him, offering him her heat.Offering him everything.”

“I had the most beautiful dream, and then I fell asleep in your arms and my dream turned lovelier still.”

“He pulls me over the railing and against his chest, gathering me into his arms, easing an arm under my knees. I press my face into his shoulder, and there is a sudden, hollow silence.”

“All that is left in the world is an enormous machine, made of white steel. It has innumerable flexible arms, made of steel. Long, thin arms. At the end of each arm is an eye, the eyelashes stiff with mascara. When I look more closely I see that only some of the arms have these eyes–others have lights. The arms that carry the eyes and the arms that carry the lights are all extraordinarily flexible and very beautiful. But they grey sky, which is the background, terrifies me. . . . And the arms wave to an accompaniment of music and of song. Like this: 'Hotcha–hotcha–hotcha. . . .' And I know the music; I can sing the song. . . .”