“The barometer of his emotional nature was set for a spell of riot.”

“His sensitive nature was still smarting under the lashes of an undivided and squalid way of life. His soul was still disquieted and cast down by the dull phenomenon of Dublin. He had emerged from a two years' spell of revery to find himself in the midst of a new scene, every event and figure of which affected him intimately, disheartened him or allured and, whether alluring or disheartening, filled him always with unrest and bitter thoughts. All the leisure which his school life left him was passed in the company of subversive writers whose jibes and violence of speech set up a ferment in his brain before they passed out of it into his crude writings.”

“His head was large, globular and oily; it sweated in all weathers; and his large round hat, set upon it sideways, looked like a bulb which had grown out of another.”

“Through this image he had a glimpse of a strange dark cavern of speculation but at once turned away from it, feeling that it was not yet the hour to enter it. But the nightshade of his friend's listlessness seemed to be diffusing in the air around him a tenuous and deadly exhalation and he found himself glancing from one casual word to another on his right or left in stolid wonder that they had been so silently emptied of instantaneous sense until every mean shop legend bound his mind like the words of a spell and his soul shrivelled up, sighing with age as he walked on in a lane among heaps of dead language. His own consciousness of language was ebbing from his brain and trickling into the very words themselves which set to band and disband themselves in wayward rhythms:The ivy whines upon the wallAnd whines and twines upon the wallThe ivy whines upon the wallThe yellow ivy on the wallIvy, ivy up the wall.Did any one ever hear such drivel?”

“Thought and plot are not so important as some would make them out to be. The object of any work of art is the transference of emotion; talent is the gift of conveying that emotion”

“The tragic emotion, in fact, is a face looking two ways, towards terror and towards pity, both of which are phases of it. You see I use the word ARREST. I mean that the tragic emotion is static. Or rather the dramatic emotion is. The feelings excited by improper art are kinetic, desire or loathing. Desire urges us to possess, to go to something; loathing urges us to abandon, to go from something. The arts which excite them, pornographical or didactic, are therefore improper arts. The esthetic emotion (I used the general term) is therefore static. The mind is arrested and raised above desire and loathing.”

“Jesus Christ, with His divine understanding of every understanding of our human nature, understood that not all men were called to the religious life, that by far the vast majority were forced to live in the world, and, to a certain extent, for the world.”