“The tragic emotion, in fact, is a face looking two ways, towards terror and towards pity, both of which are phases of it. You see I use the word ARREST. I mean that the tragic emotion is static. Or rather the dramatic emotion is. The feelings excited by improper art are kinetic, desire or loathing. Desire urges us to possess, to go to something; loathing urges us to abandon, to go from something. The arts which excite them, pornographical or didactic, are therefore improper arts. The esthetic emotion (I used the general term) is therefore static. The mind is arrested and raised above desire and loathing.”

“What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way that a bad emotion is still an emotion.”

“A work of art gives testimony to what it is to be a human being. It bears witness, it extracts meaning. A work of art is also the clearest nonphysical way that emotions is communicated from one human being to another. The emotion isn't referred to; it is re-created. The emotion shows us that our most private feelings are in fact shared feelings. And this offer us some relief from our existential isolation. (p: 10)”

“I have been using art as a means to the emotions of life and reading into it the ideas of life.”

“Taking a risk is something we do not for our mind but for how it makes us feels, emotions it brings, excitement it creates and I feel alive.”

“To be a human being means to possess a feeling of inferiority which constantly presses towards its own conquest. The greater the feeling of inferiority that has been experienced, the more powerful is the urge for conquest and the more violent the emotional agitation.”