“Thought and plot are not so important as some would make them out to be. The object of any work of art is the transference of emotion; talent is the gift of conveying that emotion”

“The tragic emotion, in fact, is a face looking two ways, towards terror and towards pity, both of which are phases of it. You see I use the word ARREST. I mean that the tragic emotion is static. Or rather the dramatic emotion is. The feelings excited by improper art are kinetic, desire or loathing. Desire urges us to possess, to go to something; loathing urges us to abandon, to go from something. The arts which excite them, pornographical or didactic, are therefore improper arts. The esthetic emotion (I used the general term) is therefore static. The mind is arrested and raised above desire and loathing.”

“The barometer of his emotional nature was set for a spell of riot.”

“Dear Mister Germ’s Choice,in gutter dispear I am taking my pen toilet you know that, being Leyde up in bad with the prewailent distemper (I opened the window and in flew Enza), I have been reeding one half ter one other the numboars of “transition” in witch are printed the severeall instorments of your “Work in Progress”.You must not stink I am attempting to ridicul (de sac!) you or to be smart, but I am so disturd by my inhumility to onthorstand most of the impslocations constrained in your work that (although I am by nominals dump and in fact I consider myself not brilliantly ejewcatered but still of above Averroëge men’s tality and having maid the most of the oporto unities I kismet) I am writing you, dear mysterre Shame’s Voice, to let you no how bed I feeloxerab out it all.I am überzeugt that the labour involved in the compostition of your work must be almost supper humane and that so much travail from a man of your intellacked must ryeseult in somethink very signicophant. I would only like to know have I been so strichnine by my illnest white wresting under my warm Coverlyette that I am as they say in my neightive land “out of the mind gone out” and unable to combprehen that which is clear or is there really in your work some ass pecked which is Uncle Lear?Please froggive my t’Emeritus and any inconvince that may have been caused by this litter.Yours veri tassVladimir Dixon”

“The supreme question about a work of art is out of how deep a life does it spring. Paintings of Moreau are paintings of ideas. The deepest poetry of Shelley, the words of Hamlet bring our mind into contact with the eternal wisdom; Plato's world of ideas. All the rest is the speculation of schoolboys for schoolboys.”

“I could call my wandering thoughts together. I had hardly any patience with the serious work of life which, now that it stood between me and my desire, seemed to me child's play, ugly monotonous child's play.”

“He did not want to play. He wanted to meet in the real world the unsubstantial image which his soul so constantly beheld. He did not know where to seek it or how, but a premonition which led him on told him that this image would, without any overt act of his, encounter him. They would meet quietly as if they had known each other and had made their tryst, perhaps at one of the gates or in some more secret place. They would be alone, surrounded by darkness and silence: and in that moment of supreme tenderness he would be transfigured.He would fade into something impalpable under her eyes and then in a moment he would be transfigured. Weakness and timidity and inexperience would fall from him in that magic moment.”