“I loved her like a rabbit loves a rattlesnake”

“Love, when you get fear in it, it's not love any more. It's hate.”

“When Mildred went to bed her stomach hurt from laughter, her heart ached from happiness. Then she remembered that while Veda had kissed her, that first moment when she had entered the house, she still hadn't kissed Veda. She tiptoed into the room she had hoped Veda would occupy, knelt beside the bed as she had knelt so many times in Glendale, took the lovely creature in her arms and kissed her, hard, on the mouth.”

“Then she got up, went to Monty's mirror, and began combing her hair, while little cadenzas absentmindedly cascaded out of her throat, and cold drops cascaded over Mildred's heart. For Veda was stark naked. From the massive, singer's torso, with the Dairy quaking in front, to the slim hips, to the lovely legs, there wasn't so much as a garter to hide a path of skin.”

“That's all it takes, one drop of fear to curdle love into hate.”

“Yes, I have actually mined coal, and distilled liquor, as well as seen a girl in a pink dress, and seen her take it off. I am 54 years old, weigh 220 pounds, and look like the chief dispatcher of a long-distance driving concern. I am a registered Democrat. I drink.”

“A year and a half had indeed made some changes in Veda's appearance. She was still no more than medium height, but her haughty carriage made her seem taller. The hips were as slim as ever, but had taken on some touch of voluptuousness. The legs were Mildred's, to the last graceful contour. But the most noticeable change was what Monty brutally called the Dairy: two round, swelling protuberances that had appeared almost overnight on the high, arching chest. They would have been large, even for a woman: but for a child of thirteen they were positively startling. Mildred had a mystical feeling about them: they made her think tremulously of Love, Motherhood, and similar milky concepts.”