“ I wrote my first novel, McFarlane Boils The Sea, under the influence of Kelman and Proust, which is like drinking a cocktail of Bowmore and Châteauneuf du Pape.(James Meek in interview with TMO)”

“Kilmartin wrote a highly amusing and illuminating account of his experience as a Proust revisionist, which appeared in the first issue of Ben Sonnenberg's quarterly Grand Street in the autumn of 1981. The essay opened with a kind of encouragement: 'There used to be a story that discerning Frenchmen preferred to read Marcel Proust in English on the grounds that the prose of A la recherche du temps perdu was deeply un-French and heavily influenced by English writers such as Ruskin.' I cling to this even though Kilmartin thought it to be ridiculous Parisian snobbery; I shall never be able to read Proust in French, and one's opportunities for outfacing Gallic self-regard are relatively scarce.”

“I wrote my first novel because I wanted to read it.”

“You know what I did after I wrote my first novel? I shut up and wrote twenty-three more."("The Castle")”

“I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was.”

“But I suspect the reported number of good novels this year is a result of 9/11 and all the other alarums of recent years. I think it set a certain gear into movement, unseen, silent, at the heart of many writers. Writers with children, writers with that hope of a peaceful century; a sort of literary battle stations. I was not surprised to hear Ali Smith describe her wonderful book The Accidental as a war book.Sebastian Barry, in interview with TMO (2005)”