“The wide world was changing, and she wanted a different place in it.Not just wanted, but felt she deserved. If the world didn't owe her a living, as her mother repeatedly warned her, it owed her a break. She had a strong sense that a better, more exciting, more rewarding life than that which had been the lot of her parents and grandparents was hers by right. In this she was guilty of nothing more serious than the arrogance of youth, from which every generation suffers and by which it distinguishes itself from the preceding one.”

“Peter's mother was grand, in her way. She managed to complain almost ceaselessly without ever seeming trivial or kvetchy. She was regal rather than crotchety, she had been sent to live in this world from a better one, and she saved herself from mere mean-spiritedness by offering resignation in place of bile - by implying, every hour of her life, that although she objected to almost everybody and everythng she did so because she'd presided over some utopia, and so knew from experience how much better we all could do. She wanted more than anything to live under a benevolent dictator who was exactly like her without being her - if she actually ruled she would relinquish her right to object, and without her right to object who and what would she be?”

“Was [her] life really better than most, or did she appreciate it more or just remember it differently? I suspect she remembers it differently, which is really the trick. If you want to age gracefully, remember selectively.”

“She looked long and lean and beautiful, and she was totally unaware of her looks as she called him. She had lived in a world of extraordinary-looking people for so long, and hers was a life of the mind rather than the beauty of face and body. She never thought about it, which somehow made her even more attractive.”

“She kept me from living in back alleys and going back to drugs. I paid her back, but I owed her a lot more than the money. Emily saved my life.” Buck Jamison in Goodbye Emily”

“Reading was not an escape for her, any more than it is for me. It was an aspect of direct experience. She distinguished, of course, between the fictional world and the real one, in which she had to prepare dinners and so on. Still, for us, the fictional world was an extension of the real, and in no way a substitute for it, or refuge from it. Any more than sleeping is a substitute for waking." (Jincy Willett)”