“Henry looked up and down the empty avenue—no cars or trucks anywhere. No bicycles. No paperboys. No fruit sellers or fish buyers. No flower carts or noodle stands. The streets were vacant, empty—the way he felt inside. There was no one left.”

“A young nurse, someone new whom he didn't recognise, came up to Henry and patted him on the arm. "Are you a friend or a family member?" She whispered the question in his ear, trying not to disturb Sheldon. The question hung there like a beautiful chord, ringing in the air. Henry was Chinese, Sheldon obviously wasn't. They looked nothing alike. Nothing at all. "I'm distant family," Henry said.”

“At least we have the record, Henry thought. A reminder of a place where people didn't seem to care what you looked like, where you were born, or where your family was from. When the music played, it didn't seem to make one lick of difference if your last was Abernathy or Anjoy, Kung or Kobayashi.”

“The more Henry though about the shabby old knickknacks, the forgotten treasures, the more he wondered if his own broken heart might be found in there, hidden among the unclaimed possessions of another time. Boarded up in the basement of a condemned hotel. Lost, but never forgotten.”

“So Henry found himself stepping off the bus three stops early and wandering over to the Panama Hotel, a place between worlds when he was a child, a place between times now that he was a grown man.”

“Talking to strangers sounded like talking to no one, which Henry had some firsthand experience in- in real life. It was lonely. Almost as lonely as Lake View Cemetery, where he'd buried Ethel.”

“Henry was learning that time apart has a way of creating distance- more than mountains and time zone separating them. Real distance, the kind that makes you ache and stop wondering. Longing so bad that it begins to hurt to care so much.”