“Movement was the essence of Manhattan. It had always been so, and now its sense of flow, energy, openness, elasticity as Charles Dickens had called it, was headier than ever. Half the city’s skill and aspirations seemed to go into the propagation of motion.”

“... she had always found risk headier than the finest champagne.”

“In Charles Dickens's books I had to admire the way the meanest enemies spoke to each other, with what seemed to me to be the greatest civility.”

“She sat listening to the music. It was a symphony of triumph. The notes flowed up, they spoke of rising and they were the rising itself, they were the essence and the form of upward motion, they seemed to embody every human act and thought that had ascent as its motive. It was a sunburst of sound, breaking out of hiding and spreading open. It had the freedom of release and the tension of purpose. It swept space clean, and left nothing but the joy of an unobstructed effort. Only a faint echo within the sounds spoke of that from which the music had escaped, but spoke in laughing astonishment at the discovery that there was no ugliness or pain, and there never had to be. It was the song of an immense deliverance.”

“...and for the first time in her life the tears that had always seemed to flow so easily, had always been there, eager to soothe any loss or ache, had refused to come, and somehow, that had been the most frightening thing of all.Used 'em all up on trifling shit, and now there's nothing left to cry. Like something her mother used to say or maybe a schoolteacher had said a long time ago. Stop bawling or someday you won't be able to cry, someone you love will die and you won't ever be able to stop hurting.”

“He was full of the restless, dissatisfied energy that always seemed to move into his heart after he visited home these days. It had something to do with the knowledge that his parents’ house wasn’t truly home anymore — if it had ever been — and something to do with the realization that they hadn’t changed; he had.”