“Everyone has always said I look like Bailey, but I don't.I have grey eyes to her green,an oval face to her heart-shaped one,I'm shorter, scrawnier, paler, flatter, plainer, tamer.All we shared is a madhouse of curlsthat I imprison in a ponytailwhile she let hers ravelike madnessaround her head.I don't sing in my sleepor eat the petals off flowersor run into the rain instead of out of it.I'm the unplugged-in one,the side-kick sister,tucked into a corner of her shadow.Boys followed her everywhere;they filled the booths at the restaurant where she waitressed,herded around her at the river.One day, I saw a boy come up behind herand pull a strand of her long hairI understood this-I felt the same way.In photographs of us together,she is always looking at the camera,and I am always looking at her.”

“She still said nothing and I purposely did not look at her because I did not wish either to press her or to embarrass her. I was in love with her, and my heart went out to her as she tried to fathom her own feelings. I felt like saying: Don't bother to explain, darling. I know it all.Instead, the calculating side of my mind was at work: the side that plotted carefully, planned to get what it wanted and nearly always succeeded.”

“I thought her looking as she always does: superior in all respects to everyone around her”

“As I stood with her on the platform - she impatient, tapping her foot, leaning forward to look down the tracks - it seemed more than I could bear to see her go. Francis was around the corner, buying her a book to read on the train.'I don't want you to leave,' I said.'I don't want to, either.''Then don't.''I have to.'We stood looking at each other. It was raining. She looked at me with her rain-colored eyes.Camilla, I love you,' I said. 'Let's get married.”

“I stole looks. First was her hair, long and loopy and pulled back. Second, she has the prettiest face, oopen-like and up-looking. Third time I looked she was studying that satellite and I saw her eyes, deep brown, almost black. She has these little scars on her chin. I like that. When a lady isn't perfect, she's a lot more perfect, I believe. - Mack”

“Rhoda comes now, having slipped in while we were not looking. She must have made a tortuous course, taking cover now behind a waiter, now behind some ornamental pillar, so as to put off as long as possible the shock of recognition, so as to be secure for one more moment to rock her petals in her basin. We wake her. We torture her. She dreads us, she despises us, yet she comes cringing to our sides because for al our cruelty there is always some name, some face which sheds a radiance, which lights up her pavements and makes it possible for her to replenish her dreams.”