“I danced before I wrote. Everything my mentor, Marjorie Mussman, teaches about movement -- creating focus, taking chances, making an unequivocal statement -- is beautifully applicable to the craft of writing.”

“Mentors and apprentices are partners in an ancient human dance, and one of teaching's great rewards is the daily chance it gives us to get back on the dance floor. It is the dance of the spiraling generations, in which the old empower the young with their experience and the young empower the old with new life, reweaving the fabric of the human community as they touch and turn.”

“I could write about how I feel when I sing, write and create something from heartbreak, sorrow, sadness or just simply nothingness. How nothingness can become the most beautiful, unexplainable feeling that makes you forget about gravity for an hour.”

“That night I sat up writing in my diary writing to Big Me: 'I hope you are alive ' I wrote. 'I hope that I don't die before you are able to read this.”

“Before I refuse to take your questions, I have an opening statement. ”

“Before I’ll take my clone on as a pupil in the craft of writing, he must prove his worthiness. He must write 100 thoughts down, of which 10 might be interesting. If he’s done that, good, then he must write 1,000 thoughts, of which 200 might be interesting. If he’s done that, good, then he must write 10,000 thoughts down, of which 4,000 might be interesting. If he’s done that, good, then he no longer needs me to teach him, because he has taught himself. And since he would be teaching himself, it would prove that I really am the best teacher.”