“This was the way it was going to be then, this road she was going to have to walk. She would always be thinking of him so that he would be beside her even when he wasn't there, making her joyous or miserable, but always, always controlling the colour of her days.”

“She knew she was a purveyor of costume, of disguise, a fabricator of persona, one who touched only the protective surface, never the skin, the heart. She was beginning, as a consequence, to envy almost everyone she met, to envy their small preoccupations, their carefully kept account books, the way they stood on streetcorners talking about farm machinery, the weather, the price of a bag of oats, fully connected for the moment to these ordinary things. Her connection continually slipped downstream, against the current, toward the swiftly disappearing past. What beyond the most cursory, practical knowledge of fashion, had the present to do with her?”

“How long, Klara wondered now, how long after the mortar set did the joy remain? When one embraces a moment of rapture from the past, either by trying to reclaim it or by refusing to let it go, how can its brightness not tarnish, turn grey with longing and sorrow, until the wild spell of the remembered interlude is lost altogether and the memory of sadness claims its rightful place in the mind? And what is it we expect from the sun-drenched past? There is no formula for re-entry, nothing we can do to enable reconstruction. The features of an absent loved one's face are erased one by one, the timbre of the voice drowned by the noise of the world. Fondly recalled landscapes are savagely altered; we lose them tree by tree. Even the chestnut tree outside Klara's window would die a slow, rotting death until it would fall one night in a summer storm when everything in Klara wanted it to remain standing, blossoming in spring, leafy in summer, the only access, she secretly believed, to the window of her former self.”

“This did not in any way alter her intention of accomplishing her mission; on the contrary; it seemed to her all the more desperately important now that she was almost certain, in her innermost heart, that her trip was a failure. Her attitude was not an astonishing one, since like many others she conceived of her life as separate from herself; the road was laid out always a little ahead of her by scared hands, and she walked down it without a question. This road, which was her life, would go on existing after her death, even as her death existed while she still lived.”

“Any work of art," said her grandfather,"must achieve sainthood before we set it free to roam in the world.”

“Get drunk, Austin, have a love affair. It would be a tragedy to die and discover that you hadn't completely used up your body.”

“Art is a kind of mining," he said. "The artist a variety of prospector searching for the sparkling silver of meaning in the earth.”