“She’s never where she is,” I said. “She’s only inside her head.”

“She’s never where she is,' I said. 'She’s only inside her head.”

“Without a word she swivels, as if she’s voice activated, as if she’s on little oiled wheels, as if she’s on top of a music box. I resent this grace of hers. I resent her meek head, bowed as if into a heavy wind. But there is no wind.”

“The blood vessels in Nora’s face are widening and her skin is warming,” Patch said. “She knows she’s being evaluated. She likes the attention, but she’s not sure how to handle it.”“I am not blushing.”“She’s nervous,” Patch said. “She’s stroking her arm to draw attention away from her face and down to her figure, or maybe her skin. Both are strong selling points.”

“She tilts her head to the side and gives me a dirty look.Damn, she’s adorable.”

“Wow,” I said. “That story is disturbing on so many different levels. One thing that’s mystifying about Indian mythology is how often the names change. The skin color changes – she’s golden, she’s black, she’s pink. Her name changes – she’s Durga, Kali, Parvati. Her personality changes – she’s a loving mother, she’s a fierce warrior, she’s terrible in her wrath, she’s a lover, she’s vengeful, she’s weak and mortal, then she’s powerful and can’t be defeated. Then there’s her marital status – she’s sometimes single, sometimes married. It’s hard to keep all the stories straight.”Ren snickered. “Sounds like a normal woman to me.”