“At every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.”

“And she could play the Beethoven symphony any time she wanted to. It was a queer thing about this music she had heard last autumn. The symphony stayed inside her always and grew little by little. The reason was this: the whole symphony was in her mind. It had to be. She had heard every note, and somewhere in the back of her mind the whole of the music was still there just as it had been played. But she could do nothing to bring it all out again. Except wait and be ready for the times when suddenly a new part came to her. Wait for it to grow like leaves grow slowly on the branches of a spring oak tree.”

“It's like people you see sometimes, and you can't imagine what it would be like to be that person, whether it's somebody in a wheelchair or somebody who can't talk. Only, I know that I'm that person to other people, maybe to every single person in that whole auditorium. To me, though, I'm just me. An ordinary kid.”

“I'm here!" I said..."I'm read to go home!" As if they couldn't see me. As if I couldn't remember what it had been like, fluttering next to someone's ear and whispering into it. How the whole earth was like a musical instrument that we could play effortlessly....I could not fly. My sister was not there. My heart was broken.”

“Each moment of zazen is equally wholeness of practice, equally wholeness of realization. This is not only practice while sitting, it is like a hammer striking emptiness: before and after, its exquisite peal permeates everywhere. How can it be limited to this moment?”

“Each woman is like an instrument, waiting to be learned, loved, and finely played, to have at last her own true music made.”