“At night she began cooking things in the kitchen, things too strange to mention. She steeped oleander in boiling water, and the roots of a vine with white trumpet flowers that glowed like faces. She soaked a plant collected in moonlight from the neighbors’ fence, with little heart-shaped flowers. Then she cooked the water down; the whole kitchen smelled like green and rotting leaves. She threw out pounds of the wet-spinach green stuff into somebody else’s dumpster. She wasn’t talking to me anymore. She sat on the roof and talked to the moon.”

“Then Carol slipped her arm under her neck, and all the length of their bodies touched fitting as if something had prearranged it. Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh. She had a vision of a pale white flower, shimmering as if seen in darkness, or through water. Why did people talk of heaven, she wondered”

“She was a great cook, but she cooked more for herself than for other people, not because she was hungry but because she was comforted by the rituals of the kitchen.”

“She realized that was one of the things she liked about Green Oaks – nobody knew her. She wasn’t the quiet girl from class. She wasn’t the girl with no mom or dad.”

“She smells of her cooking and the perfume Eau d'Hadrien. My mother wore it, too. She used to cook, like Lili. Our house smelled of garlic and thyme instead of sadness.”

“She was in a terrible marriage and she couldn't talk to anyone. He used to hit her, and in the beginning she told him that if it ever happened again, she would leave him. He swore that it wouldn't and she believed him. But it only got worse after that, like when his dinner was cold, or when she mentioned that she'd visited with one of the neighbors who was walking by with his dog. She just chatted with him, but that night, her husband threw her into a mirror.”