“It was her first book, an indigo cover with a silver moonflower, an art nouveau flower, I traced my finger along the silver line like smoke, whiplash curves. ... I touched the pages her hands touched, I pressed them to my lips, the soft thick old paper, yellow now, fragile as skin. I stuck my nose between the bindings and smelled all the readings she had given, the smell of unfiltered cigarettes and the espresso machine, beaches and incense and whispered words in the night. I could hear her voice rising from the pages. The cover curled outward like sails.”

“Her lips taste like mint from toothpaste or gum, or sometimes like cherries or grapes from her lip gloss. She's soft when I hold her, with curves where my hands rest, and when I touch her I think stupid caveman things like, mine and totally mine—oh yeah, and all mine.”

“I see her again: her face wet with tears, her eyes searching mine. Slowly, very slowly, I reach my hands out and trace my fingertips along her skin, first down her neck, so warm and fragile, then across her breasts and down along the curves of her hips. Then with all my strength I wrap my arms around her and pull her toward me, but she is gone.”

“Yet regardless of where they come from, I cannot remember a time when I was not in love with them - with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. ...I was ready for them, committed to all the reading I could give them...”

“We kiss. Her hands are freezing on my face, and she tastes like coffee and the smell of the onion is still stuck in my nose, and my lips are all dry from the endless winter. And it's awesome.”

“I had read a Tale of Two Cities and found it up to my standards as a romantic novel. She opened the first page and I heard poetry for the first time in my life...her voice slid in and curved down trough and over the words. She was nearly singing.”