“Both formality and dinner forgotten we sat on the floor of the little library, choosing. Sometimes Dr Portman read passages aloud and turned his own memories with their dark side to face the light. And it was late afternoon when, with a headache of happiness, I returned to the ward. And from that day I felt in myself a reserve of warmth from which I could help myself, like coal from the cellar on a winter’s day, if the snow came or if the frost fell in the night to blacken the flowers and wither the new fruit.”

“Then I rise disembodied from the dark to grasp and attach myself like a homeless parasite to the shape of my identity and its position in space and time. At first, I cannot find my way, I cannot find myself where I left myself, someone has removed all trace of me.”

“Listening to her, one experienced a deep uneasiness as of having avoided an urgent responsibility, like someone who, walking at night along the banks of a stream, catches a glimpse in the water of a white face or a moving limb and turns quickly away, refusing to help or to search for help. We all see the faces in the water. We smother our memory of them, even our belief in their reality, and become calm people of the world; or we can neither forget or help them. Sometimes by a trick of circumstances or dream or a hostile neighborhood of light we see our own face.”

“The sun is all love and murder, judgement, the perpetual raid of conscience, paratrooping light which opens like a snow-blossom in the downward drift of death. Wherever I turn - the golden cymbals of judgement, the summoning of the torturers of light.”

“I have always disliked the morning, it is too responsible a time, with the daylight demanding that it be 'faced' and (usually when I wake for I wake late) with the sun already up and in charge of the world, with little hope of anyone usurping or challenging its authority. A shot of light in the face of a poor waking human being and another slave limps wounded into the light-occupied territory.”

“From the first place of liquid darkness, within the second place of air and light, I set down the following record with its mixture of fact and truths and memories of truths and its direction always toward the Third Place, where the starting point is myth.”

“It is my trade," he said. "I work for the bean family, and every day there are deaths among the beans, mostly from thirst. They shrivel and die, they go blind in their one black eye, and I put them in one of these tiny coffins. Beans, you know, are beautifully shaped, like a new church, like modern architecture, like a planned city”