“I walked up the ramp and stood in the van, trying to decide where to begin my inspection of the concealed words whose bones were molded together by men to make either an awesome vision of truth that would guard any door of the mind, or a creature that would stand for a while, deceptively whole, then collapse, scattering across the threshold the dry dead bones that did not even burst into flame at their friction one with the other.”

“[...] a morass of despair violence death with a thin layer of glass spread upon the surface where Love, a tiny crab with pincers and rainbow shell, walked delicately ever sideways but getting nowhere, while the sun [...] rose higher in the sky its tassels dropping with flame threatening every moment to melt the precarious highway of glass. And the people: giant pathworks of colour with limbs missing and parts of their mind snipped off to fit them into the outline of the free pattern.”

“I knew then that I would have to be careful. I would have to wear gloves, to leave no trace when I burgled the crammed house of feeling and took for my own use exuberance depression suspicion terror.”

“Everything is always a story, but the loveliest ones are those that get written and are not torn up and are taken to a friend as payment for listening, for putting a wise keyhole to the ear of my mind”

“Language, at least, may give up the secrets of life and death, leading us through the maze to the original Word as monster or angel, to the mournful place where we may meet Job and hear his cry, 'How long will you vex my soul and break me in pieces with words?”

“I had a cousin once who lived in your dictionary, inside the binding, and there was a tiny hole which he used for a door, and it led out between trichotomy and trick. Now what do you think of that? It was only a few minutes walk to trigger, then over the page to trinity, trinket and trional, and there my cousin used to fall asleep.”

“From the first place of liquid darkness, within the second place of air and light, I set down the following record with its mixture of fact and truths and memories of truths and its direction always toward the Third Place, where the starting point is myth.”