“Traveling together into what the poet Adrienne Rich has called ‘the cratered night of female memory,’ they undertook a shared process of self-discovery, working together to probe the possibility of woman’s creative power. Through their exploration of hermetic and magical paths, they developed a common pictorial language, derived from the realms of domestic life, the fairy tale and the dream.”

“Night is mine, together with a substantial part of the future.”

“Hearing may make shorter intuitive leaps than sight, but it too is subject to illusions. The most pleasant of these are 'mondegreens,' named by the author Sylvia Wright from her youthful mishearing of the Scottish ballad that actually says, 'They hae slain the Earl o' Moray / and they layd him on the green'--not, alas, 'the Lady Mondegreen.' Children, with their relaxed expectations for logic, are a rich source of these (pledging allegiance to 'one Asian in the vestibule, with little tea and just rice for all'), but everyone has the talent to infer the ridiculous from the inaudible--and, what's more, to believe in it. Here, at least, we do behave like computers, in that our voice-recognition software has little regard for probability but boldly assumes we live in a world of surrealist poets. We are certain that Mick Jagger will never leave our pizza burning and that the Shadow knows what evil lurks in the hot cement.”

“Those wonderful coincidences of sound and sense between one language and another were also at work, giving each new term an alluring resonance.”

“Aristotle was convinced that a trained memory helped the development of logical thought processes.”

“A Puritan twist in our nature makes us think that anything good for us must be twice as good if it's hard to swallow. Learning Greek and Latin used to play the role of character builder, since they were considered to be as exhausting and unrewarding as digging a trench in the morning and filling it up in the afternoon. It was what made a man, or a woman -- or more likely a robot -- of you. Now math serves that purpose in many schools: your task is to try to follow rules that make sense, perhaps, to some higher beings; and in the end to accept your failure with humbled pride. As you limp off with your aching mind and bruised soul, you know that nothing in later life will ever be as difficult.What a perverse fate for one of our kind's greatest triumphs! Think how absurd it would be were music treated this way (for math and music are both excursions into sensuous structure): suffer through playing your scales, and when you're an adult you'll never have to listen to music again. And this is mathematics we're talking about, the language in which, Galileo said, the Book of the World is written. This is mathematics, which reaches down into our deepest intuitions and outward toward the nature of the universe -- mathematics, which explains the atoms as well as the stars in their courses, and lets us see into the ways that rivers and arteries branch. For mathematics itself is the study of connections: how things ideally must and, in fact, do sort together -- beyond, around, and within us. It doesn't just help us to balance our checkbooks; it leads us to see the balances hidden in the tumble of events, and the shapes of those quiet symmetries behind the random clatter of things. At the same time, we come to savor it, like music, wholly for itself. Applied or pure, mathematics gives whoever enjoys it a matchless self-confidence, along with a sense of partaking in truths that follow neither from persuasion nor faith but stand foursquare on their own. This is why it appeals to what we will come back to again and again: our **architectural instinct** -- as deep in us as any of our urges.”

“Beyond it is the incalculable. In other words, numbers cannot exceed the number of things there are: so that for the teller and the audience of this tale, numbers still are attached to objects.”