“The most interesting inconsistency in thought is connected with the Bower of Bliss. This passage--the twelfth canto of the second Book--is probably the best known in the whole poem and the most frequently cited as an example of Spenser's sensuous beauty. Professor de Selincourt writes: 'Those who blame Spenser for lavishing the resources of his art upon this canto, and filling it with magic beauty, have never been at the heart of the experience it shadows. It is from the ravishing loveliness of all that surrounds and leads to the Bower of Acrasia that she herself draws her almost irresistible power. When Guyon has bound Acrasia and destroyed the Bower of Bliss he has achieved his last and hardest victory.”

“Now the twelfth canto of Book II is an almost literal translation from Tasso description in the Jerusalem Delivered of the island of Armida. That poem was not printed till 1582. It is likely enough that Spenser may have seen part of it in manuscript, which would account for the general resemblance of the Adonis passages, though the likeness is not close enough to make any debt certain.”

“A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing.”

“Not forever does the bulbul singIn balmy shades of bowers,Not forever lasts the springNor ever blossom the flowers.Not forever reigneth joy,Sets the sun on days of bliss,Friendships not forever last,They know not life, who know not this.”

“Unfortunately, most of today’s women resemble bowerbirds that force suitors to build elaborate nests of twigs, leaves, and discarded garbage before choosing a mate. Any male who doesn’t meet her standards doesn’t get to mate that year; one assumes he just stays in his bower, reads bower manuals, and watches bowerbird porn.”

“She padded toward Han, barefoot, like a faerie startled out of a forest bower, bewitching mix of clan and flatland beauty.”