“If instead of saucers, UFOs looked more like breasts, I’ll bet there’d be a lot more people trying to take pictures of them.”

“If I could live again my life,In the next – I’ll try,- to make more mistakes,I won’t try to be so perfect,I’ll be more relaxed,I’ll be more full – than I am now,In fact, I’ll take fewer things seriously,I’ll be less hygienic,I’ll take more risks,I’ll take more trips,I’ll watch more sunsets,I’ll climb more mountains,I’ll swim more rivers,I’ll go to more places – I’ve never been,I’ll eat more ice creams and less lima beans,I’ll have more real problems – and less imaginary ones,I was one of those people who liveprudent and prolific lives -each minute of his life,Of course that I had moments of joy – but,if I could go back I’ll try to have only good moments,If you don’t know – that’s what life is made of,Don’t lose the now!I was one of those who never goes anywherewithout a thermometer,without a hot-water bottle,and without an umbrella and without a parachute,If I could live again – I will travel light,If I could live again – I’ll try to work bare feetat the beginning of spring till the end of autumn,I’ll ride more carts,I’ll watch more sunrises and play with more children,If I have the life to live – but now I am 85,- and I know that I am dying …”

“If I asked people how many people there are in the world, I’ll bet more than half would reply, “More than half.” True, but would they also know Georgia is a state, a country, and a painter?”

“I take picture because i like to look at the pictures I take.It seems to me that when people take a picture of something, they instantly forget about it.They can look at the picture and remind themselves.”

“Dialectic concepts can permit the existence of UFOs and other life-forms... Even if these reports of flying saucers are fantasies, as is possible that the majority may be, many of them, their historical basis is correct… the scientific capacity of human beings is determined by their social organisation... The answers to these mysteries would lie in a study of Marxism." From Les Soucoupes Volantes (Flying Saucers)”

“Sitting for a picture is morbid business. A portrait doesn’t begin to mean anything until the subject is dead. This is the whole point. We’re doing this to create a kind of sentimental past for people in decades to come. It’s their past, their history we’re inventing here. And it’s not how I look now that matters. It’s how I’ll look in twenty-five years as clothing and faces change, as photographs change. The deeper I pass into death, the more powerful my picture becomes. Isn’t this why picture-taking is so ceremonial? It’s like a wake. And I’m the actor made up for the laying-out.”