“There’s no room in my life for a woman. I mean I live in a closet, and I suppose I could squish my clothes over and she could squeeze in, but where is she supposed to put her clothes? And her shoes, what about her shoes?”

“Dammit, Michael, get out of my room, you pervert!” Could you even be a pervert if you were dead? She supposed you could, if you had a working body half the time. “I swear, I’m going to start taking my clothes off!”The cold spot stayed resolutely put until she got the hem of her T-shirt all the way up to her bra line, and then faded away. “Chicken,” she said, and paced the room, back and forth.”

“Her shoes squished with the movement and, as she peered uncomprehendingly down at them, a tadpole emerged from the leg of her jeans and flopped about on the ground. "Eew!" She pointed a shaking finger at it. "A tadpole. I had a tadpole in my pants!""Lucky tadpole," he murmured.”

“Shoes would interfere with her conversation, for she constantly addresses the ground under her feet. Asking forgiveness. Owning, disowning, recanting, recharting a hateful course of events to make sense of her complicity. We all are, I suppose. Trying to invent our version of the story. All human odes are essentially one, "My life; what I stole from history, and how I live with it.”

“There are women in my closet, hanging on the hangers. a different woman for each suit, each dress, each pair of shoes. I hoard clothes. My makeup spills from the bathroom drawers, and there are different women for different lipsticks.”

“She was supposed to be putting her life together right now, and all she could seem to do was throw grenades at it.”