“This book has nothing to do with cats. Or mice. Or self-motivation. This book is 100% 50% finished. But don’t worry, I finished the good half. But don’t be mistaken—the good half isn’t good at all. In fact, it’s remarkably terrible. It’s only good in relation to the half I didn’t get around to writing. After all, the worst writing is the writing that couldn’t be bothered to be written down.”

“It’s good.’ She chirps the last bit as if that were all to say about a book: It’s good or it’s bad. I liked it or I didn’t. No discussions of the writing, the themes, the nuances, the structure. Just good or bad. Like a hot dog.”

“I’m 100% certain of the quality of story I’m writing until I finish the outline and actually begin to write. At this point, I’m 100% certain the story sucks and I will never show it to another living soul. Until I type “THE END.” At this point, I’m 50% certain it sucks, 50% certain it’s brilliant, and 100% certain if I don’t show it to someone I will spontaneously combust.”

“I've always believed in writing without a collaborator, because where two people are writing the same book, each believes he gets all the worries and only half the royalties.”

“It’s hard enough to write a good drama, it’s much harder to write a good comedy, and it’s hardest of all to write a drama with comedy. Which is what life is.”

“I’m writing a book, one letter at a time. After thirteen days, I just finished writing “Once upon a time.” Since it’s a fairy tale, it’s obviously a romance novel, along the lines of “All Quiet on the Western Front.”