“This book is destined to make waves no matter which ocean you throw it into. This is the first book Jarod's put together, mainly because he had such a hard time figuring out how to glue the pages to the spine. You'll laugh as you explore the mind of a madman as he emails seemingly random companies and institutions about bizarre things, and strange suggestions. With his surreal thoughts and ideas, Jarod paints a picture so vividly in the reader's mind that they'd think he was actually using their gray matter as a canvas. But don't worry, you can read this knowing that he will not spill paint on your favorite shirt. If laughing were a buffet, you'll eat so much with this book that you'll throw up. I recommend you read this book over a toilet.”

“A book is a vacation for the mind. My books will take you inside my mind, so feel free to make yourself at home. Do as you please, but please don’t put your feet up on my hippocampus.”

“Jarod Kintz likes writing about himself in the third person, because he really relates to the third person. The odd man out. If two is company, then the first person and the second person are just fine together. But why is the third person always hanging around? Jarod often feels like that outsider, the person on the smallest pedestal, the bronze medalist of personal pronouns. If the third person makes you feel like she-it, then maybe you can relate to some of Jarod’s work.”

“There are lots of great ideas in my book, but as a cohesive unit, my book is only held together with glue at the spine.
 Or it would be, if it weren’t an ebook.”

“Bio I never got around to using: Jarod is a best-selling author reader. He has given speeches in over .5 countries, and addressed over 15,000 people, mannequins, and letters. He has been described as “Hard to hear, hard to understand, and hard to work with.”

“On my list of things to be when I grew up was a character in a Gary Larson comic. With one of his books in my hands, I would spend hours and hours laughing. And then I’d finally stop laughing long enough to actually open the book. I’m not sure what the younger me would think about me if he could see me now. To be honest, I’m not sure he’d be terribly impressed. He’d probably put his hands on his hips and hump his dismay.”

“This work is the link between my Dear Natalie piece and my upcoming Agatha work. It bridges that lapse in time and shows how my thinking has changed. It shows me telling a story through the surreal and trying to use thought fragments alone to show a tortured existence. This piece was written after the Dear Natalies and before the Agatha mystery, but it is meant to be read after you’ve already read both.This book is a bridge between two books, which would make it a bridge between two bridges. That’s strange, but I’ve seen stranger. Like the time I woke up in a fish tank, having morphed into a goldfish during my sleep. I still fear the sound of a flushing toilet, and since then I refuse to let myself fall asleep while wearing flippers.This book is 3,088 words of pure nonsense, strung together like pearls hurled at bacon. Yum!”