“Your writing can be chosen by one publisher and hated by all readers, or it can be rejected by one publisher and loved by all readers. Most of the time it’s somewhere in between, but either way, don’t let rejection stop you from being hated.”

“I sent a lot of publishing ideas to my publisher, about 30 of them. Each time except 3, i got a "rejection letter". This is basically what a rejection letter is like:Hello Pathetic Moron,We read your book. It sucked. Don't send us another one. If you do, we will run over your grandmother with a bus. Don't Do It.From, Your Publisher”

“It can be depressing when no one takes interest, and a lack of response makes the writer question why they’re writing at all. To have one’s writing rejected is like you, yourself, are being rejected. ”

“It was a shocking thing to say and I knew it was a shocking thing to say. But no one has the right to live without being shocked. No one has the right to spend their life without being offended. Nobody has to read this book. Nobody has to pick it up. Nobody has to open it. And if you open it and read it, you don't have to like it. And if you read it and you dislike it, you don't have to remain silent about it. You can write to me, you can complain about it, you can write to the publisher, you can write to the papers, you can write your own book. You can do all those things, but there your rights stop. No one has the right to stop me writing this book. No one has the right to stop it being published, or sold, or bought, or read.”

“There is only one motive for writing a novel: to be published and read. To me there is no distinction between the mystery novel and the novel, only between good books and bad books. A good book takes the reader into a new world of experience; it is an experiment. A bad book, unless the writing is inept, reinforces the intransigent attitude of the reader not to experiment with a new world. Since there are criminals and psychopaths and sociopaths in all my novels they are in a way psychological thrillers.”

“I think about the reader. I care about the reader. Not “audience.” Not “readership.” Just the reader. That one person, alone in a room, whose time I’m asking for. I want my books to be worth the reader’s time, and that’s why I don’t publish the books I’ve written that don’t meet this criterion, and why I don’t publish the books I do until they’re ready. The novels I love are novels I live for. They make me feel smarter, more alive, more tender toward the world. I hope, with my own books, to transmit that same experience, to pass it on as best I can.”