“In order to live you must die. R.Winters”

“In a decaying society, art, if it is truthful, must also reflect decay. And unless it wants to break faith with its social function, art must show the world as changeable. And help to change it.”

“So...like, you're lyin' on the battlefield with an arrow for a decoration, and everybody homes in on it like a beacon and they start pryin' it out WHILE you're conscious, and you're thinkin' "Ahh! Don't trouble yourselves, just leave it in there for goodness' sake! I got it first, it's mine! Don't touch it! I can use it to hang stuff on and--aahh!" And then when you finally faint from all the pain, they shake you and shout your name and try to wake you up, and you're thinkin' "Heeeeeeell no, I ain't comin' back to that! Why d'you think I fainted in the first place?!" Then they get all frantic-like and such and start hollerin' "Don't die on me, man!" and you're thinkin' "The only one gonna die here is you if you don't quit shaking me!”

“Book-writing is always much easier in other people's lives.”

“This doesn’t work by thought and will. It doesn’t disregard thought and will, but thought and will are not the engine that makes this go. The engine that makes this go is taking a step back and trusting the body, trusting the breath, trusting the heart. We’re living our lives madly trying to hold onto everything, and it looks like it might work for awhile but in the end it always fails, and it never was working, and the way to be happy, the way to be loving, the way to be free is to really be willing to let go of everything on every occasion or at least to make that effort.So the practice really works with sitting down, returning awareness to the body, returning awareness to the breath. It usually involves sitting up straight and opening up the body and lifting the body so that the breath can be unrestrained. And then returning the mind to the present moment of being alive, which is anchored in the breath, in the body.Then, of course, other things happen. You have thoughts, you have feelings. You might have a pain, an ache, visions, memories, reflections. All these things arise, but instead of applying yourself to them and getting entangled in them, you just bear witness to it, let it go, come back to the breathing and the body, and what happens is you release a whole lot of stuff in yourself. A whole new process comes into being that would not have been there if you were always fixing and choosing and doing and making. This way you’re allowing something to take place within your heart.”

“So why are you so mad at me for kissing you?”“Because you took too long. If you'd done that, say, three years ago, we wouldn't have only had one kiss before we both get horribly mutilated.”

“Once you've been backstage at a theater, the theater is never the same for you. Once you've noticed the crack in the vase, the vase is never the same for. Once you've seen a friend do something appalling, the friendship is never the same. That does not mean you won't go to the theater, or keep the vase or the friend. You can choose.”