“In my early work, I tried to hide my personality, my psychological state, my emotions. This was partly due to my feelings about myself and party due to my feelings about painting at the time. I sort of stuck to my guns for a while but eventually it seemed like a losing battle. Finally one must simply drop the reserve.”

“He looked up at me without saying a word. I tried to hold it together but I could feel myself breaking as I fell to the floor, my face in my hands – tears flowing down my cheeks. For the first time in a while I felt like I was truly losing a hold of myself.”

“And above all, you must be asking which door is the true one; not which pleases you best by its paint and panelling…the question should never be: ‘Do I like that kind of service?’ but ‘Are these doctrines true: Is holiness there? Does my conscience move me towards this? Is my reluctance to move to this door due to my pride, or my mere taste, or my personal dislike for this particular door-keeper?”

“My right hand was sort of casually near my gun, without looking like I was reaching for my gun. It wasn't easy. Reaching for a gun usually looks like reaching for a gun. No one seemed to notice though. Goody for our side.”

“My smile did not seem to be working. I used to have a good one. Now I get the feeling people regard it as something I just drop over my face, like a page on a flip chart.”

“I wasn't trying to work out my own ancestry. I was trying to get people to feel slavery. I was trying to get across the kind of emotional and psychological stones that slavery threw at people.”