“You’d better get busy, though, buddy. The goddamn sands run out on you every time you turn around. I know what I’m talking about. You’re lucky if you get time to sneeze in this goddamn phenomenal world. {...} I used to worry about that. I don’t worry about it very much any more. At least I’m still in love with Yorick’s skull. At least I always have time enough to stay in love with Yorick’s skull. I want an honorable goddamn skull when I’m dead, buddy. I hanker after an honorable goddamn skull like Yorick’s.”

“But what I don’t like — and what I don’t think either Seymour or Buddy would like, either, as a matter of fact — is the way you talk about all these people. I mean you don’t just despise what they represent — you despise them. It’s too damn personal, Franny. I mean it. You get a real little homicidal glint in your eye when you talk about this Tupper, for instance. All this business about his going into the men’s room to muss his hair before he comes in to class. All that. He probably does — it goes with everything else you’ve told me about him. I’m not saying it doesn’t. But it’s none of your business, buddy, what he does with his hair. It would be all right, in a way, if you thought his personal affectations were sort of funny. Or if you felt a tiny bit sorry for him for being insecure enough to give himself a little pathetic goddam glamour. But when you tell me about it — and I’m not fooling, now — you tell me about it as though his hair was a goddamn personal enemy of yours. That is not right — and you know it. If you’re going to to war against the System, just do your shooting like a nice, intelligent girl — because the enemy’s there, and not because you don’t like his hairdo or his goddam necktie.”

“When I really worry about something, I don’t just fool around. I even have to go to the bathroom when I worry about something. Only, I don’t go. I’m too worried to go. I don’t want to interrupt my worrying to go. ”

“You're lucky if you get time to sneeze in this goddam phenomenal world.”

“You’ve got a goddamn bug today—you know that? What the hell’s the matter with you anyway?" Franny quickly tipped her cigarette ash, then brought the ashtray an inch closer to her side of the table. "I’m sorry. I’m awful," she said. "I’ve just felt so destructive all week. It’s awful. I’m horrible." "Your letter didn’t sound so goddamn destructive." Franny nodded solemnly. She was looking at a little warm blotch of sunshine, about the size of a poker chip, on the tablecloth. "I had to strain to write it," she said.”

“I think it should be done over, Buddy. …Please make peace with your wit. It's not going to go away, Buddy. To dump it on your own advice would be as bad and unnatural as dumping your adjectives and your adverbs because Prof. B. wants you to. What does he know about it? What do you really know about your own wit?I've been sitting here tearing up notes to you. I keep starting to say things like 'This one is wonderfully constructed,' and 'The conversation between the two cops is terrific.' So I'm hedging. I'm not sure why. I started to get a little nervous right after you began to read. It sounded like the beginning of something your arch-enemy Bob B. calls a rattling good story. Don't you think he would call this a step in the right direction? Doesn't that worry you? Even what is funny about the woman on the back of the truck doesn't sound like something you think is funny. It sounds much more like something that you think is universally considered funny. I feel gypped. Does that make you mad? You can say our relatedness spoils my judgement. It worries me enough. But I'm also just a reader. Are you a writer or just a writer of rattling good stories. I mind getting a rattling good story from you.”

“I know he's dead! Don't you think I know that? I can still like him, though, can't I? Just because somebody's dead, you don't just stop liking them, for God's sake — especially if they were about a thousand times nicer than the people you know that're alive and all.”