“Why was it so difficult to make new friends once you were past forty Was it because we didn't have dreams anymore, only regrets?”
“We were all moving to a pre-ordained end. You just had to open the papers and read the international news, or the crime reports. We didn't need nuclear weapons. We were killing each other with prehistoric savagery. We were just dinosaurs, and the worst thing of all was that we knew it.”
“After that, we weren't the same anymore. We'd become men. Disillusioned and cynical. Slightly bitter too. We had nothing. We hadn't even learned a trade. No future. Nothing but life. But life without a future is worse than no life at all.”
“I felt suffocated. And alone. More alone than ever. Every year, I ostentatiously crossed out of my address book any friend who'd made a racist remark, neglected those whose only ambition was a new car and a Club Med vacation, and forgot all those who played the Lottery. I loved fishing and silence. Walking the hills. Drinking cold Cassis, Lagavulin, or Oban late into the night. I didn't talk much. Had opinions about everything. Life and death. Good and evil. I was a film buff. Loved music. I'd stopped reading contemporary novels. More than anything, I loathed half-hearted, spineless people.”
“Marseilles isn't a city for tourists. There's nothing to see. Its beauty can't be photographed. It can only be shared. It's a place where you have to take sides, be passionately for or against. Only then can you see what there is to see. And you realize, too late, that you're in the middle of a tragedy. An ancient tragedy in which the hero is death. In Marseilles, even to lose you have to know how to fight.”
“We fought over a girl's smile, not because of the color of our skins. It created friendships, not hatreds.”
“You ought to get out more. You know, Pérol, we should go out some evening, just you and me. Otherwise, you lose touch with reality. You know what I mean? You lose your sense of reality, and hey presto, you don't know which shelf you left your soul on. The shelf where you put your friends. The shelf where you put your women. Stage right, stage left. Or in the shoebox. You turn around and you find you're stuck in the bottom drawer, with the accessories.”