“She was happy, and perfectly in line with the tradition of those women they used to call "ruined," "fallen," feckless, bitches in heat, ravished dolls, sweet sluts, instant princesses, hot numbers, great lays, succulent morsels, everybody's darlings...”

“The rims of his eyelids were burning. A blow received straightens a man up and makes the body move forward, to return that blow, or a punch-to jump, to get a hard-on, to dance: to be alive. But a blow received may also cause you to bend over, to shake, to fall down, to die. When we see life, we call it beautiful. When we see death, we call it ugly. But it is more beautiful still to see oneself living at great speed, right up to the moment of death. Detectives, poets, domestic servants and priests rely on abjection. From it, they draw their power. It circulates in their veins. It nourishes them.”

“I was in the habit of calling a kiss a peck. Bulkaen had said “a smack.” As erotic language, such as we use in dalliance, is a kind of secretion, a concentrated juice that flows from the lips only in moments of the most intense emotion, of plaint, as this language is, in other words, the essential expression of passion, each pair of lovers has its own peculiar language, a language which has a perfume, an odor sui generis which belongs only to that couple… intimacy… the secret rites of a deep love.”

“Slowly but surly I want to strip her of every kind of happiness as to make a saint of her.”

“When the name was in the room, it came to pass that the murderer, abashed, opened up, and there sprang forth, like a Glory, from his pitiable fragments, an altar on which there lay, in the roses, a woman of light and flesh.The alter undulated on a foul mud into which it sank: the murderer.”

“They made comments about the women's legs, but, as they were not witty, their remarks had no finesse. Since their emotion was not torn by any point, they quite naturally skidded along on a stagnent ground of poetry.”

“Ah those knock-out body fluids: blood, sperm, tears!”